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kyleehenke:

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GUYS. GUYS.

GUYS.

HOLY FUCK.

GOOD GUY ADOBE releases the ENTIRE CS2 SUITE. FOR FREE.

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That means free access to Photoshop CS2 - and that already has most of what you could ask for, really.

All you have to do is create a FREE ADOBE ID.

I am not sure about commercial use, but MAN. FUCKIN’ SWEET DUDE

Reblogging for the greater good.

I’m unlikely to pick it up as I honestly never use PS anymore, but here everyone who follows me. Free stuff.

oh wow this is perfect i was just lamenting that i’d have to buy creative suite for my new laptop WELP

Signal boost for any of my followers who need art programs!

The cs2 programs date back only a few years, and still have much of the functionality of today’s more modern ones. The differences between most of the versions are little more than slight modifications or additions of minor features, and UI changes. Go for it guys!!

Also, in case the page is down, here are the download links + serials.

bnme4everkb:

sixpenceee:

sixpenceee:

Sir Nicholas Winton is a humanitarian who organized a rescue operation that saved the lives of 669 Jewish Czechoslovakia children from Nazi death camps, and brought them to the safety of Great Britain between the years 1938-1939.

After the war, his efforts remained unknown. But in 1988, Winton’s wife Grete found the scrapbook from 1939 with the complete list of children’s names and photos. Sir Nicholas Winton is sitting in an audience of Jewish Czechoslovakian people who he saved 50 years before.

WATCH FULL VIDEO HERE

This post gained more than 100,000 notes in over a day. One of the most powerful things I ever posted. 

W.O.W.

But Gone Girl’s apparent problems with women lurk beyond just Amy, too. The film’s male lead, Nick (Ben Affleck), Amy’s husband, laments that he’s spent his life with women controlling his every move, and when he settles in at her side by movie’s end, he’s been completely broken of his spirit. This, it would be easy for an anti-feminist critic to argue, is the logical conclusion of women’s dominion over men — a mostly good guy imprisoned by a vile monster who holds him in place with her womb.

Couple that with Fincher’s … let’s say … less-than-perfect track record with female characters in the past, in films ranging from Fight Club to The Social Network to The Girl With the Dragon Tattoo, and you have a perfect storm, just waiting for thinkpieces to erupt.

But open up Gone Girl and dig around in its guts, and you find something surprising. This is perhaps the most feminist mainstream movie in years, a forthright depiction of the ways that society controls women and forces them into certain roles, then lets men basically do whatever they want. Amy Dunne might be a monster, but she’s no sui generis psychopath. No, she’s Frankenstein’s monster, stitched together by a husband, parents, and a social order that demanded she be certain things, rather than who she really was.

And in destroying her husband’s life, she’s symbolically taking back power for women everywhere.

Todd VanDerWerff, Gone Girl is the Most Feminist Mainstream Movie in Years (via connietough)

real-faker:

virginmarx:

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television history

i’ve been trying to explain this sketch to people for years

there is literally no way to explain this sketch it’s just a thing you have to see and even then I’m not sure why it’s so funny

(Source: stupidfuckingquestions)

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